Damien F. Mackey
“Finally,
a spirit came forward, stood before the Lord
and said, ‘I will entice him.’
‘By what
means?’ the Lord asked.
‘I will
go out and be a deceiving spirit in the mouths of all his prophets,’ he said.
‘You will
succeed in enticing him,’ said the Lord.
‘Go and do it.’
So now
the Lord has put a deceiving
spirit in the mouths of all these prophets of yours.
The Lord has decreed disaster for you.”
I Kings 22:21-23
As has
often been noted, this unusual incident of the ‘lying spirit’ finds its Greek correspondence - though I would
prefer appropriation (a constant
theme in this series) - in Homer’s The
Iliad. An excellent account of this is provided by Bruce Louden, “Agamemnon
and the Hebrew Bible”, though the author will adopt the standard view that the
Bible was indebted to the pagan (Greek) version: https://www.diva-portal.org/smash/get/diva2:1067957/FULLTEXT02.pdf
….
“Agamemnon and Ahab
Perhaps even more intriguing are correspondences between
Agamemnon and Ahab. The latter, though a figure more supported by the
historical record than David, not involved with the Philistines, not attended
by an Achilles figure, nonetheless, his interactions with prophets, his
deportment on the battlefield, and his highly aggressive wife, all find
virtually exact parallels in Agamemnon. Ahab’s interactions with the prophets
Elijah and Micaiah are even closer to Agamemnon’s than are Saul’s with Samuel,
including verbal equivalents. I thus argue that the scribal tradition had, in
Agamemnon, an established character type they knew to be a vehicle suited to
how they wished to depict Ahab.
In Ahab’s disputes with his prophets Elijah and Micaiah, we
revisit an earlier theme, but here the parallels are even closer with
Agamemnon.
Ahab’s animosity toward Elijah is more pronounced, has undergone
a longer period of gestation than Saul’s for Samuel, and resembles Agamemnon’s toward
Calchas in Iliad 1. Ahab’s first words to Elijah are contemptuous (18:17),
“As soon as Ahab saw Elijah, he said to him, ‘Is it you, you troubler of
Israel?’” We cannot imagine Saul addressing Samuel this way, but this is
precisely Agamemnon’s tone to his prophet Calchas, and to Chryses.
The most exact, most sustained, correspondences occur in 1 Kings
22, when Micaiah recounts his vision of the Enticing Spirit that will
fool Ahab into thinking he can now capture Ramoth-gilead. Let us first set the stage
by reviewing Agamemnon’s parallel circumstances in book 2 of the Iliad.
The night after Agamemnon’s quarrel with Achilles begins, after a divine
council, Zeus, who now supports Achilles over Agamemnon, sends a Deceptive
Dream (2:6: οὖλος ὄνειρος) to Agamemnon. Zeus’ purpose in sending the Dream, is to fool
Agamemnon into thinking he can sack Troy the next day. The Dream fulfills Zeus’
purpose, leaving Agamemnon,
“believing in his heart things that are not going to be
accomplished” (2.36).
Extensive deliberations and discussion follow over how to
proceed on the basis of the Dream. Agamemnon orders the Greeks into assembly,
but first convenes his executive council. Nestor, asserting no one would
believe the dream if dreamt by anyone else, says it must be true since
Agamemnon himself dreamt it (2.79–83). In his heated exchange with his prophet
Calchas on the previous day, when Calchas had declared Agamemnon’s abusive
treatment of Apollo’s priest had brought the god’s wrath upon them, Agamemnon
replied (1.106–107),
Seer of evil:
never yet have you told me a good thing. Always the evil things are dear to
your heart to prophesy (μάντι κακῶν … αἰεί τοι τὰ κάκ' ἐστὶ φίλα φρεσὶ μαντεύεσθαι).
Agamemnon fails to take Troy on that day, and suffers a major
embarrassment before his troops, most of whom now contemplate going home to
Greece.
We return to Ahab’s confrontation with Micaiah, with Agamemnon’s
Dream in mind, as Ahab and his forces, and King Jehoshaphat, contemplate attacking
the city Ramoth-gilead. Agreeing to join battle, Jehoshaphat suggests Ahab
first consult with Yahweh. All of Ahab’s prophets prophesy that God will give
him victory. When Jehoshaphat asks if there is another prophet to verify their
prophecy, Ahab responds in words that closely agree with Agamemnon’s rebuke of
Calchas (22:8), “‘There is one more … but I hate the man, because he never
prophesies good for me, never anything but evil. His name is Micaiah son of
Imlah.’” Later in the confrontation Ahab repeats (22:18), “‘Did I not tell you
that he never prophesies good for me, never anything but evil?’” Micaiah
then recounts a vision (22:19–22):
I saw the Lord
seated on his throne with all the host of heaven in attendance on his right and
on his left. The Lord said, ‘Who will entice Ahab to go up and attack
Ramoth-gilead?’ One said one thing and one said another, until a spirit came
forward and, standing before the Lord, said, ‘I shall entice him.’ ‘How?’ said
the Lord. ‘I shall go out’, he answered, ‘and be a lying spirit75 in the mouths
of all his prophets.’ You see, then, how the Lord has put a lying spirit in the
mouths of all these prophets of yours, because he has decreed disaster for you.
Let us review the correspondences:
1. Each king contemplates trying to take a city. Each king leads
a coalition of forces against another coalition.
2. Detailed deliberations and discussion precede his going into
battle. Jehoshaphat serves a similar function as Agamemnon’s Nestor.
3. Each king receives a report of divine will ensuring a
positive outcome of the battle.
4. Each main god converses with a lesser divine being. Zeus
instructs the Dream, but the Spirit volunteers for Yahweh, in corresponding terms:
to fool the respective kings into thinking they will sack their respective
cities that day.
5. The audience, however, knows the reports to be spurious. In
the Iliad, typical of epic conventions, the audience is itself present
at Zeus’ deliberations, observing without any doubt that Agamemnon is being
deceived. 1 Kings 22 maintains the Hebrew Bible’s usual conception of having
the prophet as somehow present at the divine council (cf. Isaiah 6), a
monotheistic variation on the more traditional polytheistic divine council.
Micaiah relays the corresponding information that Homeric epic gives through
the principal narrator.
6. Each king proceeds, and fails, on the basis of the false
report of divine support.
In a key difference, Ahab’s Enticing Spirit account repeats the
motif from Elijah’s earlier confrontation with Ahab of the one true prophet
defeating the many false ones. Thus, as Cogan notes, “the issues of conflicting
prophetic viewpoints and the royal response to the word of YHWH dominate,” … whereas
for Agamemnon conflicting prophetic viewpoints is a non-issue. That the 1 Kings
version derives from another [sic] is suggested by its being a secondary
narrative, told in a tongue-in-cheek manner, and in how it retains polytheistic
touches. Several of the motifs are more at home in the Iliad than in 1
Kings. Zeus or Athena sending a Dream is common in Homeric epic, for instance,
whereas Yahweh’s use of the Deceiving Spirit is less so. So also, as Cogan
points out, is, “The consultation with prophets rather than priests in
preparation for the attack on Ramoth-gilead comes as a surprise.” … The triumph
of the one true prophet over the many false subsumes the narrative under a
Yahwist agenda, not relevant to the
Iliad. Cogan, on the basis of
similarities between Micaiah’s fortunes and the later Jeremiah, argues the
episode “was written toward the end of the period of classical prophecy.” … So
far after the Iliad [sic], easily
allows for some form of diffusion or adaptation. Ahab’s encounter with Micaiah suggests
a careful synthesis of Agamemnon’s missteps at the opening of the Iliad.
Agamemnon and Ahab both, in prominent scenes, are wounded, while
fighting from their chariots, and driven from battle. Agamemnon’s death, murdered
by his wife Clytemnestra and her lover Aigisthos on his return from Troy, is
alluded to several times in the Odyssey. We recall that his aristeia ends
abruptly when, wounded by a spear in Iliad 11.251–255, 265–281, he
retreats from battle in his chariot. Likened in simile to a woman suffering
birth pangs, the unusual comparison may look ahead to his being slain in the
bath, in a sense, “unmanned,” by his wife.
Though lacking anything comparable to an aristeia, Ahab’s
exit from battle is suggestive of Agamemnon’s, and may also allude to two other
prominent deaths in the Iliad. As he and Jehoshaphat march on Ramoth-gilead,
Ahab is in disguise. In the Iliad, Patroclus, whose aristeia follows
Agamemnon’s, goes into battle in disguise, and is slain, the only Greek to die
during his aristeia. Ahab dies in disguise, and receives his mortal wound
from an arrow shot at random (1 Kgs 22:34), both compounding his un-heroic
circumstances, “One man … drew his bow at random and hit the king of Israel
where the breastplate joins the plates of the armour.”
The detail may reference the most climactic wound in all of the Iliad,
when Achilles slays Hector by aiming his spear at the space between his armor
and helmet (22.324–327). Ahab remains in battle for a while, propped up in his
chariot, blood flowing from his wound, until he dies”.
by
Damien F. Mackey
“Finally,
a spirit came forward, stood before the Lord
and said, ‘I will entice him.’
‘By what
means?’ the Lord asked.
‘I will
go out and be a deceiving spirit in the mouths of all his prophets,’ he said.
‘You will
succeed in enticing him,’ said the Lord.
‘Go and do it.’
So now
the Lord has put a deceiving
spirit in the mouths of all these prophets of yours.
The Lord has decreed disaster for you.”
I Kings 22:21-23
As has
often been noted, this unusual incident of the ‘lying spirit’ finds its Greek correspondence - though I would
prefer appropriation (a constant
theme in this series) - in Homer’s The
Iliad. An excellent account of this is provided by Bruce Louden, “Agamemnon
and the Hebrew Bible”, though the author will adopt the standard view that the
Bible was indebted to the pagan (Greek) version: https://www.diva-portal.org/smash/get/diva2:1067957/FULLTEXT02.pdf
….
“Agamemnon and Ahab
Perhaps even more intriguing are correspondences between
Agamemnon and Ahab. The latter, though a figure more supported by the
historical record than David, not involved with the Philistines, not attended
by an Achilles figure, nonetheless, his interactions with prophets, his
deportment on the battlefield, and his highly aggressive wife, all find
virtually exact parallels in Agamemnon. Ahab’s interactions with the prophets
Elijah and Micaiah are even closer to Agamemnon’s than are Saul’s with Samuel,
including verbal equivalents. I thus argue that the scribal tradition had, in
Agamemnon, an established character type they knew to be a vehicle suited to
how they wished to depict Ahab.
In Ahab’s disputes with his prophets Elijah and Micaiah, we
revisit an earlier theme, but here the parallels are even closer with
Agamemnon.
Ahab’s animosity toward Elijah is more pronounced, has undergone
a longer period of gestation than Saul’s for Samuel, and resembles Agamemnon’s toward
Calchas in Iliad 1. Ahab’s first words to Elijah are contemptuous (18:17),
“As soon as Ahab saw Elijah, he said to him, ‘Is it you, you troubler of
Israel?’” We cannot imagine Saul addressing Samuel this way, but this is
precisely Agamemnon’s tone to his prophet Calchas, and to Chryses.
The most exact, most sustained, correspondences occur in 1 Kings
22, when Micaiah recounts his vision of the Enticing Spirit that will
fool Ahab into thinking he can now capture Ramoth-gilead. Let us first set the stage
by reviewing Agamemnon’s parallel circumstances in book 2 of the Iliad.
The night after Agamemnon’s quarrel with Achilles begins, after a divine
council, Zeus, who now supports Achilles over Agamemnon, sends a Deceptive
Dream (2:6: οὖλος ὄνειρος) to Agamemnon. Zeus’ purpose in sending the Dream, is to fool
Agamemnon into thinking he can sack Troy the next day. The Dream fulfills Zeus’
purpose, leaving Agamemnon,
“believing in his heart things that are not going to be
accomplished” (2.36).
Extensive deliberations and discussion follow over how to
proceed on the basis of the Dream. Agamemnon orders the Greeks into assembly,
but first convenes his executive council. Nestor, asserting no one would
believe the dream if dreamt by anyone else, says it must be true since
Agamemnon himself dreamt it (2.79–83). In his heated exchange with his prophet
Calchas on the previous day, when Calchas had declared Agamemnon’s abusive
treatment of Apollo’s priest had brought the god’s wrath upon them, Agamemnon
replied (1.106–107),
Seer of evil:
never yet have you told me a good thing. Always the evil things are dear to
your heart to prophesy (μάντι κακῶν … αἰεί τοι τὰ κάκ' ἐστὶ φίλα φρεσὶ μαντεύεσθαι).
Agamemnon fails to take Troy on that day, and suffers a major
embarrassment before his troops, most of whom now contemplate going home to
Greece.
We return to Ahab’s confrontation with Micaiah, with Agamemnon’s
Dream in mind, as Ahab and his forces, and King Jehoshaphat, contemplate attacking
the city Ramoth-gilead. Agreeing to join battle, Jehoshaphat suggests Ahab
first consult with Yahweh. All of Ahab’s prophets prophesy that God will give
him victory. When Jehoshaphat asks if there is another prophet to verify their
prophecy, Ahab responds in words that closely agree with Agamemnon’s rebuke of
Calchas (22:8), “‘There is one more … but I hate the man, because he never
prophesies good for me, never anything but evil. His name is Micaiah son of
Imlah.’” Later in the confrontation Ahab repeats (22:18), “‘Did I not tell you
that he never prophesies good for me, never anything but evil?’” Micaiah
then recounts a vision (22:19–22):
I saw the Lord
seated on his throne with all the host of heaven in attendance on his right and
on his left. The Lord said, ‘Who will entice Ahab to go up and attack
Ramoth-gilead?’ One said one thing and one said another, until a spirit came
forward and, standing before the Lord, said, ‘I shall entice him.’ ‘How?’ said
the Lord. ‘I shall go out’, he answered, ‘and be a lying spirit75 in the mouths
of all his prophets.’ You see, then, how the Lord has put a lying spirit in the
mouths of all these prophets of yours, because he has decreed disaster for you.
Let us review the correspondences:
1. Each king contemplates trying to take a city. Each king leads
a coalition of forces against another coalition.
2. Detailed deliberations and discussion precede his going into
battle. Jehoshaphat serves a similar function as Agamemnon’s Nestor.
3. Each king receives a report of divine will ensuring a
positive outcome of the battle.
4. Each main god converses with a lesser divine being. Zeus
instructs the Dream, but the Spirit volunteers for Yahweh, in corresponding terms:
to fool the respective kings into thinking they will sack their respective
cities that day.
5. The audience, however, knows the reports to be spurious. In
the Iliad, typical of epic conventions, the audience is itself present
at Zeus’ deliberations, observing without any doubt that Agamemnon is being
deceived. 1 Kings 22 maintains the Hebrew Bible’s usual conception of having
the prophet as somehow present at the divine council (cf. Isaiah 6), a
monotheistic variation on the more traditional polytheistic divine council.
Micaiah relays the corresponding information that Homeric epic gives through
the principal narrator.
6. Each king proceeds, and fails, on the basis of the false
report of divine support.
In a key difference, Ahab’s Enticing Spirit account repeats the
motif from Elijah’s earlier confrontation with Ahab of the one true prophet
defeating the many false ones. Thus, as Cogan notes, “the issues of conflicting
prophetic viewpoints and the royal response to the word of YHWH dominate,” … whereas
for Agamemnon conflicting prophetic viewpoints is a non-issue. That the 1 Kings
version derives from another [sic] is suggested by its being a secondary
narrative, told in a tongue-in-cheek manner, and in how it retains polytheistic
touches. Several of the motifs are more at home in the Iliad than in 1
Kings. Zeus or Athena sending a Dream is common in Homeric epic, for instance,
whereas Yahweh’s use of the Deceiving Spirit is less so. So also, as Cogan
points out, is, “The consultation with prophets rather than priests in
preparation for the attack on Ramoth-gilead comes as a surprise.” … The triumph
of the one true prophet over the many false subsumes the narrative under a
Yahwist agenda, not relevant to the
Iliad. Cogan, on the basis of
similarities between Micaiah’s fortunes and the later Jeremiah, argues the
episode “was written toward the end of the period of classical prophecy.” … So
far after the Iliad [sic], easily
allows for some form of diffusion or adaptation. Ahab’s encounter with Micaiah suggests
a careful synthesis of Agamemnon’s missteps at the opening of the Iliad.
Agamemnon and Ahab both, in prominent scenes, are wounded, while
fighting from their chariots, and driven from battle. Agamemnon’s death, murdered
by his wife Clytemnestra and her lover Aigisthos on his return from Troy, is
alluded to several times in the Odyssey. We recall that his aristeia ends
abruptly when, wounded by a spear in Iliad 11.251–255, 265–281, he
retreats from battle in his chariot. Likened in simile to a woman suffering
birth pangs, the unusual comparison may look ahead to his being slain in the
bath, in a sense, “unmanned,” by his wife.
Though lacking anything comparable to an aristeia, Ahab’s
exit from battle is suggestive of Agamemnon’s, and may also allude to two other
prominent deaths in the Iliad. As he and Jehoshaphat march on Ramoth-gilead,
Ahab is in disguise. In the Iliad, Patroclus, whose aristeia follows
Agamemnon’s, goes into battle in disguise, and is slain, the only Greek to die
during his aristeia. Ahab dies in disguise, and receives his mortal wound
from an arrow shot at random (1 Kgs 22:34), both compounding his un-heroic
circumstances, “One man … drew his bow at random and hit the king of Israel
where the breastplate joins the plates of the armour.”
The detail may reference the most climactic wound in all of the Iliad,
when Achilles slays Hector by aiming his spear at the space between his armor
and helmet (22.324–327). Ahab remains in battle for a while, propped up in his
chariot, blood flowing from his wound, until he dies”.
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